Project Gutenberg's The Sunken Garden and other poems, by Walter De la Mare

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license


Title: The Sunken Garden and other poems

Author: Walter De la Mare

Release Date: October 18, 2015 [EBook #50240]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE SUNKEN GARDEN AND OTHER POEMS ***




Produced by Shaun Pinder, Chuck Greif and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)







[image of the
cover not available]

THE SUNKEN GARDEN

This is the second book issued by the Beaumont Press 20 copies have been printed on Japanese vellum signed by the author and numbered 1 to 20 and 250 copies on hand-made paper numbered 21 to 270. This is No. 200.

T H E     S U N K E N
G A R D E N

AND   OTHER   POEMS   BY
WALTER   DE   LA   MARE

CONTENTS

 Page
THE LITTLE SALAMANDER
When I go free,9
THE SUNKEN GARDEN
Speak not—whisper not;10
THE RIDDLERS
‘Thou Solitary!’ the Blackbird cried,11
MRS. GRUNDY
‘Step very softly, sweet Quiet-foot,13
THE DARK HOUSE
See this house, how dark it is15
MISTRESS FELL
‘Whom seek you here, sweet Mistress Fell?’16
THE STRANGER
In the woods as I did walk,18
THE FLIGHT
How do the days press on, and lay19
THE REMONSTRANCE
I was at peace until you came20
THE EXILE
I am that Adam who, with Snake for guest,21
EYES
O Strange Devices that alone divide22
THE TRYST
Why in my heart, O grief,23
THE OLD MEN
Old and alone, sit we,25
THE FOOL’S SONG
Never, no, never, listen too long,26
THE DREAMER
O Thou who giving helm and sword,27
MOTLEY
Come, Death, have a word with thee;28
TO E. T.: 1917.
You sleep too well—too far away,31
ALEXANDER
It was the great Alexander,32
FOR ALL THE GRIEF
For all the grief I have given with words34
FAREWELL
When I lie where shades of darkness35
CLEAR EYES
Clear eyes do dim at last,36
MUSIC
When Music sounds, gone is the earth I know,37
IN A CHURCHYARD
As children bidden to go to bed38
TWO HOUSES
In the strange city of life39
COLOPHON40

THE LITTLE SALAMANDER: TO MARGOT

WHEN I GO FREE,
I think ’twill be
A night of stars and snow,
And the wild fires of frost shall light
My footsteps as I go;
Nobody—nobody will be there
With groping touch, or sight,
To see me in my bush of hair
Dance burning through the night.

THE SUNKEN GARDEN

SPEAK NOT—WHISPER NOT;
Here bloweth thyme and bergamot;
Softly on the evening hour,
Secret herbs their spices shower,
Dark-spiked rosemary and myrrh,
Lean-stalked, purple lavender;
Hides within her bosom, too,
All her sorrows, bitter rue.
Breathe not—trespass not;
Of this green and darkling spot,
Latticed from the moon’s beams,
Perchance a distant dreamer dreams;
Perchance upon its darkening air,
The unseen ghosts of children fare,
Faintly swinging, sway and sweep,
Like lovely sea-flowers in its deep;
While, unmoved, to watch and ward,
’Mid its gloom’d and daisied sward,
Stands with bowed and dewy head
That one little leaden Lad.

THE RIDDLERS

‘THOU SOLITARY!’ the Blackbird cried,
‘I, from the happy Wren,
Linnet and Blackcap, Woodlark, Thrush,
Perched all upon a sweetbrier bush,
Have come at cold of midnight-tide
To ask thee, Why and when
Grief smote thy heart so thou dost sing
In solemn hush of evening,
So sorrowfully, lovelorn Thing—
Nay, nay, not sing, but rave, but wail,
Most melancholic Nightingale?
Do not the dews of darkness steep
All pinings of the day in sleep?
Why, then, when rocked in starry nest
We mutely couch, secure, at rest,
Doth thy lone heart delight to make
Music for sorrow’s sake?’
A Moon was there. So still her beam,
It seemed the whole world lay a-dream,
Lulled by the watery sea.
And from her leafy night-hung nook
Upon this stranger soft did look
The Nightingale: sighed he:—
‘’Tis strange, my friend; the Kingfisher
But yestermorn conjured me here
Out of his green and gold to say
Why thou, in splendour of the noon
Wearest of colour but golden shoon.
And else dost thee array
In a most sombre suit of black?
“Surely,” he sighed, “some load of grief,
Past all our thinking—and belief—
Must weigh upon his back!”
Do, then, in turn, tell me,—If joy
Thy heart as well as voice employ,
Why dost thou now, most Sable, shine
In plumage woefuller far than mine?
Thy silence is a sadder thing
Than any dirge I sing!’
Thus then these two small birds, perched there,
Breathed a strange riddle both did share
Yet neither could expound.
And we—who sing but as we can,
In the small knowledge of a man—
Have we an answer found?
Nay, some are happy whose delight
Is hid even from themselves from sight;
And some win peace who spend
The skill of words to sweeten despair
Of finding consolation where
Life has but one dark end;
Who, in rapt solitude, tell o’er
A tale as lovely as forlore
Into the midnight air.

MRS. GRUNDY

‘STEP VERY SOFTLY, sweet Quiet-foot,
Stumble not, whisper not, smile not:
By this dark ivy stoop cheek and brow.
Still even thy heart! What seest thou?’
‘High coifed, broad-browed, aged, suave yet grim,
A large flat face, eyes keenly dim,
Staring at nothing—that’s me!—and yet,
With a hate one could never, no, never forget....’
‘This is my world, my garden, my home,
Hither my father bade mother to come
And bear me out of the dark into light,
And happy I was in her tender sight.
‘And then, thou frail flower, she died and went,
Forgetting my pitiless banishment,
And that Old Woman—an Aunt—she said,
Came hither, lodged, fattened, and made her bed.
‘Oh yes, thou most blessed, from Monday to Sunday
Has lived on me, preyed on me, Mrs. Grundy:
Called me, “dear Nephew”; on each of those chairs
Has gloated in righteousness, heard my prayers.
‘Why didst thou dare the thorns of the grove,
Timidest trespasser, huntress of love?
Now thou has peeped, and now dost know
What kind of creature is thine for foe.
‘Not that she’ll tear out thy innocent eyes,
Poison thy mouth with deviltries.
Watch thou, wait thou: soon will begin
The guile of a voice: hark!... “Come in, Come in!”’

THE DARK HOUSE

SEE THIS HOUSE, how dark it is
Beneath its vast-boughed trees!
Not one trembling leaflet cries
To that Watcher in the skies—
‘Remove, remove thy searching gaze,
Innocent, of Heaven’s ways,
Brood not, Moon, so wildly bright,
On secrets hidden from sight.’
‘Secrets,’ sighs the night-wind,
‘Vacancy is all I find;
Every keyhole I have made
Wail a summons, faint and sad,
No voice ever answers me,
Only vacancy.’
‘Once, once ...’ the cricket shrills,
And far and near the quiet fills
With its tiny voice, and then
Hush falls again.
Mute shadows creeping slow
Mark how the hours go,
Every stone is mouldering slow,
And the least winds that blow
Some minutest atom shake,
Some fretting ruin make
In roof and walls. How black it is
Beneath these thick-boughed trees!

MISTRESS FELL

‘WHOM seek you here, sweet Mistress Fell?’
‘One who loved me passing well.
Dark his eye, wild his face—
Stranger, if in this lonely place
Bide such an one, then, prythee, say
I am come here to-day.’
‘Many his like, Mistress Fell?’
‘I did not look, so cannot tell.
Only this I surely know,
When his voice called me, I must go;
Touched me his fingers, and my heart
Leapt at the sweet pain’s smart.’
‘Why did he leave you, Mistress Fell?’
‘Magic laid its dreary spell.—
Stranger, he was fast asleep;
Into his dream I tried to creep;
Called his name, soft was my cry:
He answered—not one sigh.
‘The flower and the thorn are here;
Falleth the night-dew, cold and clear;
Out of her bower the bird replies,
Mocking the dark with ecstasies:
See how the earth’s green grass doth grow,
Praising what sleeps below!
‘Thus have they told me. And I come,
As flies the wounded wild-bird home.
Not tears I give; but all that he
Clasped in his arms sweet charity;
All that he loved—to him I bring
For a close whispering.’

THE STRANGER

IN THE WOODS AS I DID WALK,
Dappled with the moon’s beam,
I did with a Stranger talk,
And his name was Dream.
Spurred his heel, dark his cloak,
Shady-wide his bonnet’s brim;
His horse beneath a silvery oak
Grazed as I talked with him.
Softly his breast-brooch burned and shone;
Hill and deep were in his eyes;
One of his hands held mine, and one
The fruit that makes men wise.
Wonderly strange was earth to see,
Flowers white as milk did gleam;
Spread to Heaven the Assyrian Tree
Over my head with Dream.
Dews were still betwixt us twain;
Stars a trembling beauty shed;
Yet—not a whisper comes again
Of the words he said.

THE FLIGHT

HOW DO THE DAYS press on, and lay
Their fallen locks at evening down,
Whileas the stars in darkness play
And moonbeams weave a crown—
A crown of flower-like light in heaven,
Where in the hollow arch of space
Morn’s mistress dreams, and the Pleiads seven
Stand watch about her place.
Stand watch—O days no number keep
Of hours when this dark clay is blind.
When the world’s clocks are dumb in sleep
’Tis then I seek my kind.

THE REMONSTRANCE

I WAS AT PEACE UNTIL YOU CAME
And set a careless mind aflame;
I lived in quiet; cold, content;
All longing in safe banishment,
Until your ghostly lips and eyes
Made wisdom unwise.
Naught was in me to tempt your feet
To seek a lodging. Quite forgot
Lay the sweet solitude we two
In childhood used to wander through;
Time’s cold had closed my heart about;
And shut you out.
Well, and what then?... O vision grave,
Take all the little all I have!
Strip me of what in voiceless thought
Life’s kept of life, unhoped, unsought!—
Reverie and dream that memory must
Hide deep in dust!
This only I say,—Though cold and bare
The haunted house you have chosen to share,
Still ’neath its walls the moonbeam goes
And trembles on the untended rose;
Still o’er its broken roof-tree rise
The starry arches of the skies;
And ’neath your lightest word shall be
The thunder of an ebbing sea.

THE EXILE

I AM that Adam who, with Snake for guest,
Hid anguished eyes upon Eve’s piteous breast.
I am that Adam who, with broken wings,
Fled from the Seraph’s brazen trumpetings.
Betrayed and fugitive, I still must roam
A world where sin—and beauty—whisper of home.
Oh, from wide circuit, shall at length I see
Pure daybreak lighten again on Eden’s tree?
Loosed from remorse and hope and love’s distress,
Enrobe me again in my lost nakedness?
No more with wordless grief a loved one grieve,
But to heaven’s nothingness re-welcome Eve?

EYES

O STRANGE DEVICES that alone divide
The seër from the seen—
The very highway of earth’s pomp and pride
That lies between
The traveller and the cheating, sweet delight
Of where he longs to be,
But which, bound hand and foot, he, close on night,
Can only see.

THE TRYST

WHY IN MY HEART, O GRIEF,
Dost thou in beauty bide?
Dead is my well-content,
And buried deep my pride.
Cold are their stones, beloved,
To hand and side.
The shadows of even are gone,
Shut are the day’s clear flowers,
Now have her birds left mute
Their singing bowers,
Lone shall we be, we twain,
In the night hours.
Thou with thy cheek on mine,
And dark hair loosed, shalt see
Take the far stars for fruit
The cypress tree,
And in the yew’s black
Shall the moon be.
We will tell no old tales,
Nor heed if in wandering air
Die a lost song of love
Or the once fair;
Still as well-water be
The thoughts we share!
And, while the ghosts keep
Tryst from chill sepulchres,
Dreamless our gaze shall sleep,
And sealed our ears;
Heart unto heart will speak,
Without tears.
O, thy veiled, lovely face—
Joy’s strange disguise—
Shall be the last to fade
From these rapt eyes,
Ere the first dart of daybreak
Pierce the skies.

THE OLD MEN

OLD AND ALONE, SIT WE,
Caged, riddle-rid men;
Lost to earth’s ‘Listen!’ and ‘See!’
Thought’s ‘Wherefore?’ and ‘When?’
Only far memories stray
Of a past once lovely, but now
Wasted and faded away,
Like green leaves from the bough.
Vast broods the silence of night,
The ruinous moon
Lifts on our faces her light,
Whence all dreaming is gone.
We speak not; trembles each head;
In their sockets our eyes are still;
Desire as cold as the dead;
Without wonder or will.
And One, with a lanthorn, draws near,
At clash with the moon in our eyes:
‘Where art thou?’ he asks: ‘I am here,’
One by one we arise.
And none lifts a hand to withhold
A friend from the touch of that foe:
Heart cries unto heart, ‘Thou art old!’
Yet reluctant, we go.

THE FOOL’S SONG

NEVER, NO, NEVER, listen too long,
To the chattering wind in the willows, the night bird’s song.
’Tis sad in sooth to lie under the grass,
But none too gladsome to wake and grow cold where life’s shadows pass.
Dumb the old Toll-Woman squats,
And, for every green copper battered and worn, doles out Nevers and Nots.
I know a Blind Man, too,
Who with a sharp ear listens and listens the whole world through.
Oh, sit we snug to our feast,
With platter and finger and spoon—and good victuals at least.

THE DREAMER

O THOU who giving helm and sword,
Gav’st, too, the rusting rain,
And starry dark’s all tender dews
To blunt and stain:
Out of the battle I am sped,
Unharmed, yet stricken sore;
A living shape ’mid whispering shades
On Lethe’s shore.
No trophy in my hands I bring,
To this sad, sighing stream,
The neighings and the trumps and cries
Were but a dream—a dream.
Traitor to life, of life betrayed—
O, of thy mercy deep,
A dream my all, the all I ask
Is sleep.

MOTLEY

COME, Death, I’d have a word with thee;
And thou, poor Innocency;
And Love—a lad with broken wing;
And Pity, too:
The Fool shall sing to you,
As Fools will sing.
Ay, music hath small sense,
And a tune’s soon told,
And Earth is old,
And my poor wits are dense;
Yet have I secrets,—dark, my dear,
To breathe you all: Come near.
And lest some hideous listener tells,
I’ll ring my bells.
They’re all at war!—
Yes, yes, their bodies go
’Neath burning sun and icy star
To chaunted songs of woe,
Dragging cold cannon through a mire
Of rain and blood and spouting fire,
The new moon glinting hard on eyes
Wide with insanities!
Hush!... I use words
I hardly know the meaning of;
And the mute birds
Are glancing at Love
From out their shade of leaf and flower,
Trembling at treacheries
Which even in noonday cower.
Heed, heed not what I said
Of frenzied hosts of men,
More fools than I,
On envy, hatred fed,
Who kill, and die—
Spake I not plainly, then?
Yet Pity whispered, ‘Why?’
Thou silly thing, off to thy daisies go.
Mine was not news for child to know,
And Death—no ears hath. He hath supped where creep
Eyeless worms in hush of sleep;
Yet, when he smiles, the hand he draws
Athwart his grinning jaws—
Faintly the thin bones rattle, and—There, there;
Hearken how my bells in the air
Drive away care!...
Nay, but a dream I had
Of a world all mad.
Not simple happy mad like me,
Who am mad like an empty scene
Of water and willow tree,
Where the wind hath been;
But that foul Satan-mad,
Who rots in his own head,
And counts the dead,
Not honest one—and two—
But for the ghosts they were,
Brave, faithful, true,
When head in air,
In Earth’s clear green and blue
Heaven they did share
With Beauty who bade them there....
There, now! Death goes—
Mayhap I’ve wearied him.
Ay, and the light doth dim,
And asleep ’s the rose,
And tired Innocence
In dreams is hence....
Come, Love, my lad,
Nodding that drowsy head,
’Tis time thy prayers were said!

TO E. T.: 1917

YOU SLEEP TOO WELL—too far away,
For sorrowing word to soothe or wound;
Your very quiet seems to say
How longed-for a peace you have found.
Else, had not death so lured you on,
You would have grieved—’twixt joy and fear—
To know how my small loving son
Had wept for you, my dear.

ALEXANDER

IT WAS THE GREAT ALEXANDER,
Capped with a golden helm,
Sate in the ages, in his floating ship,
In a dead calm.
Voices of sea-maids singing
Wandered across the deep:
The sailors labouring on their oars
Rowed, as in sleep.
All the high pomp of Asia,
Charmed by that siren lay,
Out of their weary and dreaming minds,
Faded away.
Like a bold boy sate their Captain,
His glamour withered and gone,
In the souls of his brooding mariners,
While the song pined on.
Time like a falling dew,
Life like the scene of a dream
Laid between slumber and slumber,
Only did seem....
O Alexander, then,
In all us mortals too,
Wax thou not bold—too bold
On the wave dark-blue!
Come the calm, infinite night,
Who then will hear
Aught save the singing
Of the sea-maids clear?

FOR ALL THE GRIEF

FOR all the grief I have given with words
May now a few clear flowers blow,
In the dust, and the heat, and the silence of birds,
Where the lonely go.
For the thing unsaid that heart asked of me
Be a dark, cool water calling—calling
To the footsore, benighted, solitary,
When the shadows are falling.
O, be beauty for all my blindness,
A moon in the air where the weary wend,
And dews burdened with loving-kindness
In the dark of the end.

FAREWELL

WHEN I lie where shades of darkness
Shall no more assail mine eyes,
Nor the rain make lamentation
When the wind sighs;
How will fare the world whose wonder
Was the very proof of me?
Memory fades, must the remembered
Perishing be?
Oh, when this my dust surrenders
Hand, foot, lip, to dust again,
May these loved and loving faces
Please other men!
May the rusting harvest hedgerow
Still the Traveller’s Joy entwine,
And as happy children gather
Posies once mine.
Look thy last on all things lovely,
Every hour. Let no night
Seal thy sense in deathly slumber
Till to delight
Thou have paid thy utmost blessing;
Since that all things thou wouldst praise
Beauty took from those who loved them
In other days.

CLEAR EYES

CLEAR EYES do dim at last,
And cheeks outlive their rose.
Time, heedless of the past,
No loving-kindness knows;
Chill unto mortal lip
Still Lethe flows.
Griefs, too, but brief while stay,
And sorrow, being o’er,
Its salt tears shed away,
Woundeth the heart no more.
Stealthily lave those waters
That solemn shore.
Ah, then, sweet face burn on,
While yet quick memory lives!
And Sorrow, ere thou art gone,
Know that my heart forgives—
Ere yet, grown cold in peace,
It loves not, nor grieves.

MUSIC

WHEN music sounds, gone is the earth I know,
And all her lovely things even lovelier grow;
Her flowers in vision flame, her forest trees,
Lift burdened branches, stilled with ecstasies.
When music sounds, out of the water rise
Naiads whose beauty dims my waking eyes,
Rapt in strange dream burns each enchanted face,
With solemn echoing stirs their dwelling-place.
When music sounds, all that I was I am
Ere to this haunt of brooding dust I came;
While from Time’s woods break into distant song
The swift-winged hours, as I hasten along.

IN A CHURCHYARD

AS children bidden to go to bed
Puff out their candle’s light,
Since that the natural dark is best
For them to take their flight
Into the realm of sleep: so we
God’s bidding did obey;
Not without fear our tired eyes shut,
And wait—and wait—the day.

TWO HOUSES

IN THE STRANGE CITY OF LIFE
Two houses I know well:
One wherein Silence a garden hath,
And one where Dark doth dwell.
Roof unto roof they stand,
Shadowing the dizzied street,
Where Vanity flaunts her gilded booths
In the noontide glare and heat.
Green-graped upon their walls
The ancient, hoary vine
Hath clustered their carven lichenous stones
With tendril serpentine.
And ever and anon,
Dazed in that clamorous throng,
I thirst for the soundless fount that stills
Those orchards mute of song.
Knock, knock! nor knock in vain.
Heart, all thy secrets tell
Where Silence a fast-sealed garden hath
Where Dark doth dwell.

HERE ENDS THE SUNKEN GARDEN AND
Other Poems by Walter De La Mare the Typography
and Binding arranged by Cyril William Beaumont
Printed on his Press in London and Published
by him at 75 Charing Cross Road in the
City of Westminster Completed
on the first day of December
MDCCCCXVII



The Binding has been
executed by F. Sangorski and G. Sutcliffe

[image of the
back cover not available]







End of the Project Gutenberg EBook of The Sunken Garden and other poems, by
Walter De la Mare

*** END OF THIS PROJECT GUTENBERG EBOOK THE SUNKEN GARDEN AND OTHER POEMS ***

***** This file should be named 50240-h.htm or 50240-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/0/2/4/50240/

Produced by Shaun Pinder, Chuck Greif and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.