The Project Gutenberg eBook of The Grip cartoons, by John Wilson Bengough

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Grip cartoons

vols. I & II, May 1873 to May 1874

Author: John Wilson Bengough

Release Date: January 9, 2023 [eBook #69745]

Language: English

Produced by: Brian Coe and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was created from images of public domain material made available by the University of Toronto Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK THE GRIP CARTOONS ***
Transcriber’s Note: Some of the cartoons are mis-numbered. They’ve been matched back up with the numbering in the text.

THE
Grip Cartoons

VOLS. I. & II.

May, 1873, to May, 1874.

WITH NOTES AND INTRODUCTION
BY J. W BENGOUGH.

TORONTO:
ROGERS & LARMINIE, 22 ADELAIDE STREET EAST.
1875.

Entered according to the Act of the Parliament of Canada, in the
year one thousand eight hundred and seventy-five, by Rogers & Larminie,
in the office of the Minister of Agriculture.


INTRODUCTORY NOTE.

Here, O Public! here they are! You have been clamoring in the most importunate and flattering fashion for a re-issue of the Cartoons of Grip, and out of pure good humour, I have gone to work and re-drawn them for you, because, you must know, these destiny-shaping pictures were not originally engraved upon wood, but were produced by lithography, and in due time each was utterly erased from the stone to make way for bill-heads and cigar labels. This has been no light task, but of course my good will towards men, together with the anticipation of being an author and writing an “introduction,” made it a labour of love. Now, the fact of the public request aforesaid will spare me the usual editorial humiliation of an introductory apology; and I need say nothing here about the subject matter of the sketches, as I have written an explanatory note (comprehensive and lucid enough I hope) opposite to each, and, therefore, my prefatory remarks are complete—with, by the way, a word to the Critics. Dear Critics, I defy you to do your worst. This work, as you know in your heart of hearts, is above criticism. There are no errata to be found in the text, and no false perspective or other defects in the drawings. If you hit upon anything that may persuade you to the contrary pray don’t write it. Come and see me personally at No. 2 Toronto Street, where I have hung my basket, and every Saturday croak “Never Say Die” to an ever increasing circle of patrons. But what an ungrateful rook I am to be sure, thus impudently chattering to those who have shown me nothing but generosity during my career, and to be thus boring the generous Canadian Public who have, with unexampled goodness, bestowed their favours on

Their humble Raven,

Grip.


CONTENTS.

Canada’s Farewell to Punshon, 1
After the Session; or, The Situation, 2
The New Mother Hubbard, 3
Law and Justice, 4
The Huntington Business, 5
An Overworked Mayor, 6
Canada’s “Laocoon,” 7
Will he come to Grief? 8
Dufferin’s Tormentors, or “Per vias Rectas,” 9
Isn’t that a Dainty Dish to set before a King? 10
Whither are we Drifting? 11
The Beauties of a Royal Commission, 12
Waiting for Huntington, 13
Wanted, a Good Stout Boy, 14
The Irrepressible Showman, 15
Blackwash and Whitewash, 16
“We in Canada seem to have lost all idea of Justice, Honour and Integrity,” 17
“Progressing Favourably,” 18
Rehearsing for the 23rd instant, 19
“Will he get through?” 20
A case of Riel Distress, 21
“Of comfort no man speak. Let’s talk of graves, and worms and epitaphs,” 22
Miss Canada’s School, 23
The Political Mother Hubbard, 24
The Irrepressible Jack, 25
The Premier’s Model, 26
The Liberal Programme, or the Era of Purification, 27
The Political Giant Killer, 28
The West Toronto Run 29
“Christmas Pie,” 30
Johnny’s “Turn,” or New Year’s Joy, 31
The Cruel Object of “Dissolution,” 32
“Never Out,” 33
The New “Heathen Chinee,” 34
Political Pastimes, 35
Pity the Dominie! or Johnny’s Return, 36
Grip’s Valentine to Canada, 37
The New Departure, 38
The Curse of Canada, 39
The Opposition Quartette, 40
The Political Handy Andy, 41
A Question for Pay Day, 42
Grip’s Perpetual Comedy, 43
The Vacant Chair, 44
The Science of Cheek, 45
A Touching Appeal, 46
Protestantism at Ottawa, 47
Mrs. Gamp’s Home-Thrust, 48
The Political Atlas, 49
Pacific Pastimes; or, “The Hard Road to Travel,” 50
“Dignity” without “Impudence,” 51
Ambition’s Thorny Path, 52
“NEVER SAY DIE.”

[1]

No. 1.
Canada’s Farewell to Punshon.

The departure of Rev. W. Morley Punshon for England, after a few years’ sojourn in Canada as President of the Wesleyan Conference, took place on the 24th of May, 1873, (the day on which the first number of Grip appeared.)

May 24th, 1873.

No. 1.

CANADA’S FAREWELL TO PUNSHON.

Canada—GOOD BYE THEN, DOCTOR, AND REMEMBER ME KINDLY TO THE OLD FOLKS AT HOME.


[2]

No. 2.
After the Session.

On the 2nd April, 1873, Hon. L. S. Huntington, member for Shefford, from his place in the House, charged Sir John A. Macdonald, Premier of the Conservative Government, with having corruptly sold to Sir Hugh Allan, of Montreal, the Charter of the proposed Canadian Pacific Railway, for a large sum of money, which had been used as a Ministerial Bribery Fund in the preceding General Election. Shortly after this, and before any decided inquiry had been made into the matter, Parliament was adjourned (on May 23rd,) until the following 13th of August. The Cartoon playfully suggests the feeling of the Opposition, (represented by Hon. A. Mackenzie,) towards the accused ministry during the “vacation.”

May 31, 1873.

No. 2.

AFTER THE SESSION; OR, ‘THE SITUATION.’

J. A. M—c—d—n—ld.—“Come on, Old Fellow, it’s all Right, you know; it’s My turn to Treat!”

A. M—k—n—ze.—“Oh, aye, Joney! bet y’ maun recollec’ I’m Te-total—more especially till August!”


[3]

No. 3.
The New Mother Hubbard.

An allusion to the City By-Law, introduced by Alderman William Thomson, compelling all owners of dogs to obtain Metallic Checks certifying that the City Dog Tax had been paid.

June 14th, 1873.

No. 3.

THE NEW MOTHER HUBBARD.

SHE WENT TO HEAD-QUARTERS AND BOUGHT HIM A CHECK,
AND WHEN SHE CAME BACK, PUT IT ON THE DOG’S NECK.
NURSERY RHYME.

[4]

No. 4.
Law and Justice.

The advisability of removing the bronze statue of the Queen from the Park had been under discussion in the City Council, and created considerable interest. Grip, in this Cartoon, took the liberty of suggesting a work of art to supply the place of Mr. Marshall Wood’s figure. The persons represented are, in the centre, Mr. A. Macnab, Police Magistrate of Toronto; on the right, Mr. Nudell, a popular Court official; and on the left, Alderman John Baxter, J.P.

June 21st, 1873.

No. 4.

LAW AND JUSTICE.
A DESIGN RESPECTFULLY SUBMITTED TO THE QUEEN’S PARK STATUE COMMITTEE.


[5]

No. 5.
The Huntington Business.

“Sir John courts enquiry” was the oft-repeated assertion of the Conservative newspapers, in view of the approaching session of Parliament at which the charge brought by Mr. Huntington was to be regularly tried. The Cartoon was meant to depict the gallant Knight in his “courtship” in such a way as to render the quoted statement “sorter Ironikal” as A. Ward would say.

July 5, 1873.

No. 5.

THE HUNTINGDON BUSINESS.
“SIR JOHN COURTS ENQUIRY.”—The MAIL.


[6]

No. 6.
The Overworked Ma(yo)re.

A palpable and surely a pardonable pun, seeing that its object was to pay a tribute to the official industry of the Civic Chief Magistrate for 1873—Alex. Manning, Esq. A branch of the Society of the Prevention of Cruelty, &c., had been established in the City shortly before the date of the cartoon.

July 12th, 1873.

No. 6.

AN OVERWORKED MA(YO)RE.
A FAIR CASE FOR OUR NEWLY-FLEDGED HUMANE SOCIETY.


[7]

No. 7.
Canada’s Laocoon.

An adaptation of the classical story of Laocoon and the serpents to the circumstances of some of the parties to what was already known as the “Pacific Scandal.” The persons represented are Sir Hugh Allan (to whom the charter was sold), Sir John Macdonald (by whom ditto), and Sir Francis Hincks. It is due to the latter gentleman to point out that, as indicated in the cartoon, he was merely suspected of complicity in the matter, and most emphatically denied the truth of the allegation of his guilt, made in some of the newspapers.

July 19th, 1873.

No. 7.

CANADA’S “LAOCOON:”
OR, VIRGIL ON THE POLITICAL SITUATION.

“Ecce antem gemini a Tenedo tranquilla per alta, &c.”—Æneid, Book II (Freely Translated)

When lo! two snakes (perhaps from the Yankee shore),
Together trail their folds across the floor,
With precious scandals reared in front they wind,
Charge after charge, in long drawn length behind!
While opposition benches cheer the while,
And John A. smiles a very ghastly smile!—and—
Everybody knows the rest!

[8]

No. 8.
Will he come to Grief?

The legend of this cartoon sufficiently explains its import. The facetious occupation of the Clown had its analogue in the course pursued by The Globe during the “Scandal” excitement—an eager and justifiable desire to see the hero of the business unseated.

July 26th, 1873.

No. 8.

WILL HE COME TO GRIEF?
THE THRILLING ACT NOW IN THE RING OF THE POLITICAL CIRCUS.


[9]

No. 9.
Dufferin’s Tormentors.

The Ministerial party in the House, headed by Sir John Macdonald were exceedingly anxious for a prorogation of Parliament, the Opposition as earnestly opposed that course. Their counter entreaties to the Governor-General on the subject suggested the familiar scene of the railway passenger and his friends the “cabbies.”

August 2nd, 1873.

No. 9.

DUFFERIN’S TORMENTORS, or “PER VIAS RECTAS.”

J—N A. (ANXIOUSLY.) “CARRIAGE, SIR? ‘MINISTERIAL’ HOTEL—ONLY CONSTITUTIONAL PLACE IN THE CITY—COME ALONG WITH ME, SIR.”

Mc—K—Nz— (EAGERLY.) “THIS WAY MY LORD—‘REFORM’ HOUSE! TAK’ THE RIGHT COURSE—GIE US YER CHECKS!!”

L—d D—ff—n. “MUCH OBLIGED, GENTLEMEN, I ASSURE YOU; BUT I HAVE A ‘RIG’ OF MY OWN AT HAND, YOU KNOW.”


[10]

No. 10.
The Dainty Dish.

A note here is perhaps superfluous. The faces of the “blackbirds” in the “pie” are those of Hon. M. Langevin (a prominent member of the Macdonald government), Sir Hugh Allan, Jas. A. Beaty, Esq. (to represent The Leader), Sir John A. Macdonald, Sir Francis Hincks, “Uncle Sam,” and T. C. Patteson, Esq. (representing The Mail newspaper.) On Messrs. Blake and Mackenzie devolved the task of presenting the savoury dish before Parliament.

August 9th, 1873.

No. 10.

“ISN’T THAT A DAINTY DISH TO SET BEFORE A KING?”
Nursery Rhyme.

[11]

No. 11.
Whither are we Drifting?

General indignation was expressed throughout the country, when, in accordance with the advice of the implicated Premier, Parliament was prorogued and the investigation of the Scandal thus delayed. The words imputed to Sir John in the cartoon had been used by him on the floor of the House, and became a popular by-word while the discussion on the subject lasted.

August 16th, 1873.

No. 11.

WHITHER ARE WE DRIFTING?


[12]

No. 12.
The Beauties of a Royal Commission.

This Cartoon was intended to satirize the appointment by Sir John A. Macdonald of a Royal Commission, absolutely under his own control, to enquire into and report upon the charges brought by the Hon. Mr. Huntington. The sentiment of the Press and public with regard to this proceeding justified the implication of the caricature, that the accused Premier was virtually “trying himself.”

August 23rd, 1873.

No. 12.

THE BEAUTIES OF A ROYAL COMMISSION.
WHEN SHALL WE THREE MEET AGAIN?


[13]

No. 13.
Waiting for Huntington.

Hon. Mr. Huntington refused to acknowledge the Royal Commission appointed by the accused Minister, and declined to submit his case before it. The motive imputed to him by the Conservative Press for this refusal was fear, and in the eyes of his partizans Sir John sustained the attitude represented in the Cartoon.

August 30th, 1873.

No. 13.

WAITING FOR HUNTINGTON!


[14]

No. 14.
Wanted, a Good Stout Boy.

There were those, of course, who saw an evidence of weakness in the Governor-General’s use of his prerogative of prorogation in accordance with the advice of the accused Ministers. But perhaps a “stouter boy” would have done little better in that difficult and delicate case, and certainly few “boys” could have done the work of the “place” generally so as to secure more of the peoples’ respect and admiration than Lord Dufferin enjoys.

September 6th, 1873.

No. 14.

“WANTED, A GOOD STOUT BOY.”

Canada to Britannia.—“IT WAS KIND OF YOU TO SEND HIM OVER, MOTHER; HE’S A GOOD BOY ENOUGH, BUT HE’S TOO LIGHT FOR THE ‘PLACE’!”


[15]

No. 15.
The Irrepressible Showman.

Apropos of the visit to Canada of Barnum, the Showman, during the Pacific Scandal “fever.”

September 13th, 1873.

No. 15.

THE IRREPRESSIBLE SHOWMAN.
BARNUM WANTS TO BUY THE “PACIFIC SCANDAL.”


[16]

No. 16.
Blackwash and Whitewash.

“Illustrating,” as the legend goes on to say, “the recent great opposition speeches, and the doings of the jolly Royal Commission.” The Reformers, of course, lost no opportunity of painting Sir John in grimy colours; while it was generally acknowledged that the Royal Commissioners and the Conservative press did little more during the excitement than “whitewash” him.

September 20th, 1873.

No. 16.

BLACKWASH AND WHITEWASH.
ILLUSTRATING THE RECENT GREAT OPPOSITION SPEECHES, AND THE DOINGS OF THE JOLLY ROYAL COMMISSION.


[17]

No. 17.
We in Canada seem to have lost all idea of justice, honour and integrity.

So said the Mail, the leading Conservative organ, on September 26th. Grip sought to point this lugubrious confession with an illustration drawn from the topic of the hour.

September 27th, 1873.

No. 17.

“WE IN CANADA SEEM TO HAVE LOST ALL IDEA OF JUSTICE, HONOUR, AND INTEGRITY.”—The “MAIL,” 26th Sept.


[18]

No. 18.
Progressing Favourably.

A Peep into the hearts of the Reform Leaders during the interesting period of Sir John Macdonald’s political “indisposition.” The “Poor Dear Premier” may be seen, if the reader will take the trouble to peer into the bed-room.

October 4th, 1873.

No. 18.

“PROGRESSING FAVOURABLY.”

Miss Canada—(anxiously)—“DOCTORS, HOW DO YOU FIND THE POOR DEAR PREMIER?”

Dr. B—n (for the M.D.’s)—“MADAM, WE’VE JUST HAD A CONSULTATION; THE SYMPTOMS ARE HOPEFUL—WE BELIEVE HE CAN’T SURVIVE OCTOBER!”


[19]

No. 19.
Rehearsing for the 23rd.

Representing the spirit in which the Leaders of the Respective Parties approached what was expected to be the decisive date.

October 11th, 1873.

No. 19.

REHEARSING FOR THE 23rd INSTANT.

M—K—zie—“I WILL FIGHT HIM UPON THIS THEME UNTIL MY EYELIDS WILL NO LONGER WAG!”—Hamlet, Act v., Scene 1.

John A.—“WHAT DO I FEAR?”—Richard III., Act v., Scene 3.


[20]

No. 20.
Will he get Through?

The question which was on all lips during the interim between the prorogation of the House of Commons on the 13th of August and the day fixed for its re-assembling, October 23rd. The prophecy conveyed in the unreasonable smallness of the hoop in the clowns hand, was duly realized.

October 18th, 1873.

No. 20.

“WILL HE GET THROUGH?”


[21]

No. 21.
A Case of Riel Distress.

The murder of Thomas Scott, at Fort Garry, during the Red River Rebellion, naturally excited great indignation throughout the Dominion, and a universal demand was made for the apprehension and punishment of Louis Riel, the leader of the malcontents, at whose instigation the deed was committed. This righteous sentiment, however, ultimately resolved itself into mere political “claptrap,” and the action of the Conservative Government, then in power, was hypocritical throughout, they having secretly promised the rebels an amnesty, while publicly professing an anxious desire to “catch him.”

October 25th, 1873.

No. 21.

A CASE OF RIEL DISTRESS!


[22]

No. 22.

“Of comfort no man speak;
Let’s talk of graves and worms and epitaphs!”—Shakespeare.

Typical of the overwhelming grief which seized the Conservative Party on being turned out of office, after a reign of nearly twenty years.

November 1st, 1873.

No. 22.

“OF COMFORT NO MAN SPEAK;
LET’S TALK OF GRAVES AND WORMS AND EPITAPHS!”—Shakespeare.

[23]

No. 23.
Miss Canada’s School.

Being a word of advice to the new Premier. The persons represented in the cartoon, are, commencing at the head of the “class,” Hon. A. Mackenzie, Hon. Edward Blake, Hon. Geo. Brown, Hon. E. B. Wood, Louis Riel (who had been elected M. P. for Provencher, Manitoba), Hon. M. Langevin, James Beaty, Esq., M. P., T. C. Patteson, Esq., manager of The Mail, Sir Francis Hincks, and Sir John Macdonald. Monitor, His Excellency, Earl Dufferin, Gov. General.

November 8th, 1873.

No. 23.

MISS CANADA’S SCHOOL (Dedicated to the New Premier.)

Miss Canada (to the Boy at the Head)—“NOW ALEXANDER, BE VERY CAREFUL, OR I’LL PUT YOU WHERE JOHN IS!”


[24]

No. 24.
The Political Mother Hubbard.

It had been currently reported in the newspapers that the dignity of the Lieut. Governorship of Ontario was to have been bestowed on the Hon. George Brown, immediately on the accession to power of the Reform Government. The new ministers discovered, however, that Sir John Macdonald, had, in the last gasp of his official life, appointed one of his own colleagues, (the Hon. John Crawford) to the position in question, besides disposing of ninety-nine other “places” in the gift of the First Minister.

November 15th, 1873.

No. 24.

THE POLITICAL MOTHER HUBBARD
AND JOHN A.’S “DYING INIQUITY.”


[25]

No. 25.
The Irrepressible Jack.

The circumstance under which Sir John Macdonald was deposed from power seemed to warrant the assumption of the Reformers that he was “done for.” But on the contrary it only seemed the signal for additional honours to be heaped upon him by the Conservative Party, who unhesitatingly chose him leader of the opposition, and nominated him as member for Kingston, West Toronto, &c., not to mention banquets, and other species of emphasis.

November 22nd, 1873.

No. 25.

THE IRREPRESSIBLE JACK;
OR, THE CONSERVATIVE RESUSCITATION.

John A. (Side Showman)—“DID YOU THINK THE LITTLE FELLER’S SPRING WAS BROKE, MY DEARS?”


[26]

No. 26.
The Premier’s Model.

In an address to the electors of Lambton, soon after the accession to power of the Reform Party, Mr. Mackenzie declared the cardinal points of the policy he would inaugurate, as leader, to be “Electoral Purity” and “the Independence of Parliament.” (Before entering political life, Mr. Mackenzie followed the vocation of stone-mason.)

November 29th, 1873.

No. 26.

THE PREMIER’S MODEL;
OR, “IMPLEMENTS TO THOSE WHO CAN USE THEM.”

Canada—“WELL AND BRAVELY DONE, MACKENZIE, NOW STAND BY THAT POLICY, AND I’M WITH YOU ALWAYS!”


[27]

No. 27.
The Liberal Programme.

An adaptation of one of Leech’s Cartoons, in Punch, to Canadian circumstances—the cleansing of the Legislature after the corrupt Conservative regime.

December 6th, 1873.

No. 27.

THE LIBERAL PROGRAMME;
OR, THE ERA OF PURIFICATION.


[28]

No. 28.
The Political Giant-killer.

The “Canada First” movement, having for its object the cultivation of a national sentiment and the extinction of political party strife, was inaugurated about this time.

December 13th, 1873.

No. 28.

THE POLITICAL GIANT-KILLER;
OR, “CANADA FIRST.”


[29]

No. 29.
The West Toronto Run.

In the General Election which followed the defeat of the Conservative Government, Mr. E. O. Bickford contested West Toronto in the interest of the New Opposition, and rested his claims to the seat mainly on the prestige of Sir John Macdonald, declaring that, if elected, he would follow that honourable gentleman through weal or woe. As the cartoon suggests, he met with defeat.

December 20, 1873.

No. 29.

THE WEST TORONTO RUN.

B—ckf—rd (Jockey of the Nag “John A.”)—SAY, GUV’NOR, LOOK HERE, THIS HOSS AIN’T WOTH SHUCKS ON HIS OWN MERITS!


[30]

No. 30.
Christmas Pie.

The treat which Santa Claus had in store for the Reformers.

December 27th, 1873.

No. 30.

“CHRISTMAS PIE!”


[31]

No. 31.
Johnny’s “Turn;” or, New Year’s Joy.

The election of Mr. D’Arcy Boulton as Conservative Member for South Simcoe, in the Ontario Legislature, took place about this time. Although the influence of this event on the fortunes of the late Premier of the Dominion was hardly discoverable, it was hailed by the Conservative Press as the earnest of a reaction in favour of that party. A Mr. Saunders (whose face our artist had not seen) was Mr. Boulton’s opponent in the contest.

January 3rd, 1874.

No. 31.

JOHNNY’S “TURN,” OR NEW YEAR’S JOY.


[32]

No. 32.
The Cruel Object of Dissolution.

Mr. Mackenzie and his colleagues advised the dissolution of Parliament on taking office. This was accordingly carried out, with the object, as the cartoon suggests, of keeping Sir John and his comrades “out in the cold.”

January 10th, 1874.

No. 32.

THE CRUEL OBJECT OF “DISSOLUTION.”


[33]

No. 33.
Never Out!

A Bill for the incorporation of the Orange Societies was at this time occupying the attention of the Ontario Legislature, and creating considerable interest. It was treated as a test question when it came to the vote, and the Opposition anticipated the defeat of the Government, who, by the way, opposed the measure. The decision of the umpire, after the ball was bowled, is pictured in the cartoon.

January 17th, 1874.

No. 33.

“NEVER OUT.”


[34]

No. 34.
The New Heathen Chinee.

The analogy sought to be pointed out between the new Premier and Bret Harte’s famous “Ah Sin” was merely in the possession of a great advantage in the way of cards. Mr. Mackenzie went to the country with the “Pacific Scandal” for a text, and it proved as ruinous to the Conservative Party as Ah Sins “twenty-four packs” did to “Bill Nye” and his Pardner. This explanation is needed, as the cartoon was considered, by some who misunderstood it, to impugn the honesty of the gentleman represented.

January 24th, 1874.

No. 34.

THE NEW “HEATHEN CHINEE;”
OR, THE WINNING HAND AND SLEEVE.


[35]

No. 35.
Political Pastimes.

Political sport, analogous to this, occupied the minds of the “boys” and the newspapers during the recess.

January 31st, 1874.

No. 35.

POLITICAL PASTIMES.


[36]

No. 36.
Pity the Dominie; or, Johnny’s Return.

Anent the re-election of Sir John A. Macdonald as member for Kingston, in the general election which followed the accession of the Reform Government.

February 7th, 1874.

No. 35.

PITY THE DOMINIE! OR JOHNNY’S RETURN.

Canada—“HERE’S OUR JOHNNY FOR YOU AGAIN, MR. MACKENZIE! YOU’LL FIND HIM APT ENOUGH, BUT FRANKLY, SIR, HE’S FULL OF MISCHIEF!”


[37]

No. 37.
‘Grip’s’ Valentine to Canada.

The leading English and American Newspapers had been interested spectators of the great Political Drama of the Pacific Scandal, and joined in praising the purity and pluck exhibited by the Canadian people in so promptly ejecting its authors from the high places they had dishonoured.

February 14th, 1874.

No. 37.

“GRIP’S” VALENTINE TO CANADA.
FOR INTERPRETATION WHEREOF SEE THE ENGLISH AND AMERICAN NEWSPAPERS.


[38]

No. 38.
The New Departure.

Hon. Edward Blake’s withdrawal from the new Government very shortly after it had taken possession of the Treasury Benches, created an unpleasant sensation throughout the country. The hon. gentleman had been perhaps the main instrument in bringing about the fall of the preceding Cabinet.

February 21st, 1874.

No. 38.

THE NEW DEPARTURE.

Spouse B—e.—“FAREWELL FOR THE PRESENT, DEAR; YOU AND THE GIRLS MUST MANAGE THE HOUSE IN MY ABSENCE!”


[39]

No. 39.
The Curse of Canada.

Whiskey.

February 28th, 1874.

No. 39.

THE CURSE OF CANADA.
IS THERE NO ARM TO SAVE?


[40]

No. 40.
The Opposition Quartette.

The most prominent members of the Opposition (Conservative) in the Ontario Legislature were Messrs. M. C. Cameron, Q.C., J. Chas. Rykert, A. W. Lauder and A. Boultbee. These gentlemen were always most active and energetic in their labour of fault-finding, and at the time of the Cartoon were ringing the changes on the public accounts of the Province, which were undergoing examination in Committee.

March 7th, 1874.

No. 40.

THE OPPOSITION QUARTETTE
PERFORMING THE NEW AND HIGHLY AGGRAVATING AIR ENTITLED “PUBLIC ACCOUNTS.”


[41]

No. 41.
The Political Handy Andy.

Hon. Archibald McKellar, Commissioner of Agriculture for Ontario, whose official record was certainly marked by occasional “blunders,” was, notwithstanding, popularly looked upon as one of the most trustworthy and useful members of the Mowat Ministry.

March 14th, 1874.

No. 41.

THE POLITICAL HANDY ANDY.

SQUIRE MOWAT.—(Per The St. Catharines Times, Ministerial)—“FOR SOME REASON OR OTHER YOU ARE CONSTANTLY MAKING SMALL AND FOOLISH MISTAKES!”


[42]

No. 42.
A Question for Pay Day.

The “Opposition Quartette” had vigorously assailed the action of the Hon. A. McKellar for having, in his capacity as Minister of Public Works, granted a half holiday (at the public expense) to the workmen engaged in building the Central Prison at Toronto, to allow them an opportunity of attending a nomination meeting in the West Division of the city. In view of the meagre amount of work done on the left side of the Speaker during the Session, “Grip’s” question was quite logical.

March 21st, 1874.

No. 42.

A QUESTION FOR PAY DAY;
Or, “CENTRAL PRISON” LOGIC APPLIED.

Grip (loq.)—“GENTLEMEN, IS THERE ANY ‘SCANDAL’ ABOUT YOUR DRAWING A FULL SESSION’S PAY FOR—NO WORK AT ALL?”


[43]

No. 43.
‘Grip’s’ Perpetual Comedy.

The adjournment of the Ontario Legislature was immediately followed by the assembling of the Dominion Parliament at Ottawa.

March 28th, 1874.

No. 43.

“GRIP’S” PERPETUAL COMEDY.

“THEY HAVE THEIR EXITS AND THEIR ENTRANCES.”—Shakespeare.

[44]

No. 44.
The Vacant Chair.

Louis Riel, the leader of the Red River Rebellion and alleged murderer of Thomas Scott, had been returned for Provencher, Manitoba, to the Dominion Parliament. He prudently failed to take his seat in the House, while the unanimity with which both sides cried for his arrest made “the vacant chair” a bond of union for the time being.

April 4th, 1874.

No. 44.

THE VACANT CHAIR.
A RIEL BOND OF UNION.


[45]

No. 45.
The Science of Cheek.

A great sensation was caused throughout the country at the announcement that Riel had actually appeared in the House at Ottawa and signed the Members’ Roll. This he did incog., and immediately afterwards disappeared. The cartoon anticipated his next step in the “Science of Cheek.”

April 11th, 1874.

No. 45.

THE SCIENCE OF CHEEK;
OR, RIEL’S NEXT MOVE.

Riel (loq.)—“FIVE TOUSSAND DOLLARES! BY GAR, I SHALL ARREST ZE SCOUNDREL MYSELF!”


[46]

No. 46.
A Touching Appeal.

On the accession of Mr. Mackenzie’s Government a large deficit in the treasury was discovered. Mr. Cartwright, Finance Minister, in his Budget speech, attributed this to the extravagance and corruption of the preceding administration. A new tariff was issued, in which the duties on various articles were raised considerably.

April 18th, 1874.

No. 46.

A TOUCHING APPEAL.
(“TOUCHING” THE SECRET OF INCREASED TAXATION.)

Young Canada—“SAY, UNCLE JOHN, WON’T YOU GIVE ME A ‘DEFICIT?’ MA SAYS YOU GAVE THE GRITS ONE!”


[47]

No. 47.
Protestantism at Ottawa.

The new tariff proved very unpopular in many points, and the Finance Minister was for several weeks fairly besieged by the representatives of various branches of trade and commerce, who called to protest against the objectionable items.

April 25th, 1874.

No. 47.

PROTESTANTISM AT OTTAWA;
OR, “JOB” CARTWRIGHT’S COMFORTERS.
BEING ONE OF THE “PLEASANTRIES OF PUBLIC LIFE.”


[48]

No. 48.
Mrs. Gamp’s Home-Thrust.

Early in the session a committee was appointed to inquire into the cause of the North-West difficulties, and during the progress of the inquiry evidence was elicited (mainly from Archbishop Tache) which implicated Sir John A. Macdonald. The Reform Party is represented in the cartoon as facetiously anticipating a repetition of the right hon. gentleman’s famous asseveration of his innocence. (See Cartoon No. 11.)

May 2nd, 1874.

No. 48.

MRS. GAMP’S HOME-THRUST.

Sairey Gamp (The Reform Party)—“’AVEN’T GOT NOTHINK TO SAY ABOUT THEM ’ANDS THIS TIME, I SUPPOGE, MISTER SIR JOHN?”


[49]

No. 49.
The Political Atlas.

Hon. J. R. Cartwright, Finance Minister, became the object of incessant newspaper attack. Sir Francis Hincks, who boasted a great reputation as a financier, wrote a profound essay in The Mail to prove Cartwright’s incapacity.

May 9th, 1874.

No. 49.

THE POLITICAL ATLAS.
WHO WOULDN’T BE FINANCE MINISTER?


[50]

No. 50.
Pacific Pastimes.

The Reform Government took up the Pacific Railway scheme, but initiated a new policy with regard to it. Sir John Macdonald had pledged the country to complete the entire work within ten years. Mr. Mackenzie characterized this as a physical impossibility, and proposed, as the cartoon has it, “to tak the distance in sensible like jumps, ye ken!”

May 16th, 1874.

No. 50.

PACIFIC PASTIMES; OR, THE “HARD ROAD TO TRAVEL.”


[51]

No. 51.
“Dignity” without “Impudence.”

The Dominion Senate, usually so passive and quiet, strikingly signalized its life and vim during this session by throwing out a bill introduced by Mr. Cameron, M.P. for South Huron, having for its object the re-distribution of the electoral divisions composing that Riding.

May 23rd, 1874.

No. 51.

“DIGNITY,” WITHOUT “IMPUDENCE.”

Old Madame Senate—“I SAY, Mr. LOWER-HOUSE MACKENZIE, WHO’S RUNNING THIS COUNTRY, ANYHOW?”


[52]

No. 52.
Ambition’s Thorny Path.

Dr. John Herbert Sangster appeared as a candidate for a seat in the Council of Public Instruction. His candidature was warmly supported by many of the public school teachers of Ontario, and as ardently opposed, on personal grounds, by The Globe newspaper and many others.

May 23rd, 1874.

No. 52.

AMBITION’S THORNY PATH.

*** END OF THE PROJECT GUTENBERG EBOOK THE GRIP CARTOONS ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.